Archipelago of Wonders
Modi Operandi 06
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Issue 06 of the Modi Operandi presents a design for an Independent Research Institute for Scientific Failures in the post-industrial landscapes of Trieste, Italy. A fascination with obsolescence as an inherent landscape condition lies at the core of a project, which thematically concerns fundamental scientific inquiry. It stems from the preconceived tensions between progress versus obsolescence—and—progress versus accident. The project addresses the need to contain scientific progress architecturally inside micro-regions of concentrated knowledge and satisfy the territorial concerns of the Big Science that—more often than not—take on an infrastructural scale. It addresses these themes in Trieste—a territory once envisioned as the city of science and knowledge. Architecture is argued to be a relevant space where the tensions between progress, obsolescence and disaster could play out productively and dive into architecturally little-theorised spaces. Anatoli Bugorski Independent Research Institute for Scientific Failures inhabits a postindustrial landscape of the former cement quarries in Trieste that allow for sustaining such an institution—by providing the underground territory for experimentation and the primary structural material for the institute. The project speculates on reversing re-naturalisation processes and excavating the underground spaces by employing a room and pillar mining method superimposed upon the critically unstable conditions of the Karstic terrain. Here, the notions of accident and disaster materialise within the postindustrial landscape.
Banality of Death
Modi Operandi 05
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Issue 05 of the Modi Operandi presents the design for three rest stops along the main highway that connects the city center of Mashhad, Iran, to its main cemetery. Although death is embedded in the culture and history of Mashhad, the present-day displacement of burials to the outskirts of the city, together with a streamlined, dehumanized, and bureaucratized funeral ritual, have resulted in a disengagement between spaces for the living and for the dead. As a response to this (global) condition, the thesis reflects on the tensions that have emerged between traditional cultural values and modern changes to the burial process. In the act of creating a variety of mappings, here referred to as ‘complexity drawings’, these tensions are translated into three rest-stops: the playscape, the washing station, and the viewing tower. The constellation of these interventions is located along the highway that connects the city to the main cemetery, functioning as an extension of the urban territory. Each rest-stop design accommodates a place for rest and leisure while simultaneously providing new emotional space to an extended funeral ritual. By interweaving the ritual of death with recreational activities, the interventions act as mediators between the territories of the dead and the living.
Critical Zone Sensor
Modi Operandi 04
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Issue 04 of the Modi Operandi presents the design for a Critical Zone Sensor for the town of Almaty in Kazakhstan. The project deals with the territory as a sensing device and the architectural project as sensory extension of the human body. The Critical Zone is a thin layer of several hundred meters thick above and below the surface of our planet in which human activity has a significant impact on Earth’s geology and ecosystems. The project distributes the sensing devices used to research the Critical Zone and aims to integrate the multiple disciplines of Critical Zone Science such as geology, hydrology, and ecology to understand the Critical Zone as one heterogeneous and complex system. The chosen site is Almaty’s most Critical Zone, characterized by natural hazards such as earthquakes, landslides and mudflows.
The project speculates on an intimate relationship between the human body and technology and sees the architectural project as a sensory extension of the human body. The sensed environment is perceived as an intimate bodily experience through hearing, pain, sexual pleasure, designer drugs, taste, etc. The project is made for the sensor and treats the human as a guest resulting in a continuous spatial complexity and an intimate habitation of squeezing, folding, and crawling.
Territory and trans-gression
Modi Operandi 03
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Issue 03 of the Modi Operandi presents the design for a procedural rehabilitation structure for the town of Degtjarsk in Russia: An Architecture of/for failure. The point of departure for the project is the claim that the territories like Yekaterinburg and the mining town of Degtjarsk are the result of the failure inherent in the pro-gressive culture of modernity and the radical industrialization and exploitation. To act in such a context then requires an acceptance of the nihilism produced by that failure. Accepting finitude and our limitations are the trans-gressive movements -instead of pro-gressive- towards the territory that allows us to speak relationally of it. It allows us to value the meaning of imperfection, and performability. This operation of ‘revival of the dead’, gives rise to local practices of improvisation and manipulation of that decaying source of building material, touching, manipulating, and scavenging what is left from the failure of the past grand project. Hence, as a process of ‘taking care’, this project creates a trajectory by designing intermediate phases of a spatial rehabilitation and self-reliance. It suggests a clinical operation capable of providing all the tools for the local community to practice tactical urbanism and participatory design.
Spaces in play
Modi Operandi 02
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Issue 02 of the Modi Operandi presents the design for an Institute of Memory in Bucharest. The point of departure for the project is the claim that Bucharest is saturated with spaces in decay. These peripheral spaces are scattered throughout the urban landscape, inviting the inhabitants of the city to engage in a great variety of activities, including urban play. The Institute of Memory is intended to form a counter-gesture at the very heart of the city, i.e. next to Ceaucescu's House of the Republic, thus offering a moment of detached reconciliation with experiences of memory and loss.
Spaces, Poetics and Voids
Modi Operandi 01
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Issue 01 of the Modi Operandi presents the design for a prison complex in London. The point of departure for the project is the insight that London consist of a multiplicity of spatial configurations, caused by the continuous growth of the city as well as the fluctuating, though high pressures of the real-estate market. The prison is conceived as a closed and sombrely confined space made possible by sequential structural elements that offer a measure of transparency vice-à-vis the city.